Performing Arts Schedule for Twelfth Night is here!

The holiday season brings a joyous occasion for our kingdom to gather in friendship and celebration of our many blessings! Many of us will enjoy the kingdom’s Twelfth Night event on January 14th, 2017 in Greensboro, NC: http://www.twelfthnight.atlantia.sca.org/

Performers and those who enjoy being an audience will revel in an embarrassment of riches at Twelfth Night! See the schedule of Performing Arts Activities below, and don’t hesitate to contact the Performing Arts Coordinator, Lady Sophia the Orange via orangesophie AT gmail DOT com for more information.

The Atlantia Performing Arts Guild held a meeting at the Tournament of Ymir in the Barony of Windmasters’ Hill on February 27, 2016 from 11:00 – 12:00am in the Great Hall.

Attendees included:

• Lady Evelynne Merrymet
• Mistress Azza al Shirazi
• Aplin ap Daffyd
• Mistress Dervila Ni Leanon
• Mistress Rosalind Jehanne
• Eoin MacEadbhaird
• Lady Sophia the Orange

Topics covered included:

1. Ongoing Projects:

   1. Bardic Circles Best Practices – lead by Lord Johann von Solothurn and Lord Richard Wyn
   2. Performing Arts Competitions Best Practices – lead by Lady Scholastica Joycours and milady Reynsa Keyferin
   3. Troubleshooting group – lead by our two Kingdom Bards, Master Ruaidhri an Cu and Lord Gideon ap Stephen
   4. Online Resources for Sharing:  This one went into some detail….
      1. We have the Atlantia Performing Arts Blog here: https://perform.atlantia.sca.org/
         1. This includes a page for handy links to bardic and other performing resources recently re-organized by our friend Catarina di Paulo / Shannon Hamilton.
         2. This includes pages for: Kingdom Noteables, Performer’s Directory, Performing Groups, a separate page for the Guild, and more tidbits.
      2. Mistress Dervila is working on creating a library on this blog. It’s built with WordPress, so it’s really a Content Management System – one that Dervila has some experience with.
      3. While Dervila is working on that library, we will use a new Google Drive shared with the Google Group email list for the Guild. That means that if you’re email address is on the Google Group email list for the Guild, you have access to that shared drive on Google Drive.
         1. This allows us to share documents and resources immediately and,
         2. this allows us to see what files people want to share and what categories they settle out into before Dervila launches the new library. The categories we actually end up using over the next few months will be the ones we start with in the new library.
         3. The link for the Google Drive is here: https://drive.google.com/open?id=0B-ta6p8JkuHPOVc0Tk0tellxcEU
         4. The link for the Google Group email list is here (if you’re not already on it):  https://groups.google.com/forum/?hl=en#!forum/atlantiaperformingartsguild 
   5. Guild jobs
      1. The position of University of Atlantia Liaison for the Guild is being shared this year between Lady Machteld Cleine and Lord Jaume de Monco.  Machteld will handle organizing classes for Performing Arts for the Summer University session and Jaume will handle organizing classes for the Fall University session.
         1. When you’re ready to submit your classes for Summer University, please send email to Machteld first. She’s going to ensure that certain basic performing skills classes get taught for sure and that other classes for certain audiences don’t conflict (like having two commedia classes in the same hour slot). Jaume will follow in the Fall.
      2. Mistress Dervila is holding the position of our Librarian, but she and I can both use some help from folks who are savvy to Google and WordPress resources.
         1. Lord Kazuhiko and Harper an Cu both volunteered to pitch in on that after this Spring semester is over.
         2. More help is welcome!
      3. I’m still looking for a Point of Contact for every single SCA group in Atlantia. Some groups have a “Bardic Champion” or “Performing Arts Champion” but most don’t.  If you’re willing to step up as a Point of Contact for your local SCA group as the “person who knows something about Performing Arts and maybe how to get ahold of that crazy Guild”, please let me know!

2. New Projects

   1. Lady Teleri the Well Prepared has started working with our very music-friendly Princess of Atlantia as a “Royal Entertainment Coordinator.” (That’s a draft job title.)  I did this job for Amos and Isabella during their reign, and it was rather successful at creating more performing arts activities at Royal Progress events.  Since there is a great deal of administrative legwork involved in creating Performing Arts activities that work seamlessly and smoothly with Royal Progress events, having a person on the Royal Staff that handles all that email and planning ahead is extremely helpful.
      1. We all predict that our two Kingdom Bards and Teleri will all work as a team when the opportunity presents itself to make more and better Performing Arts opportunities happen at Royal Progress events.
   2. Dance Band Musicians
      1. Lady Evelynne Merrymet expressed a deep desire to have live musicians at dance practices.  Mistress Azza concurred with this given her deep enjoyment of playing live music for dancers.
         1. I strongly recommend using the Pennsic Pile sheet music if you’re a musician playing for dancing because the copyright in versions since Pennsic 42 have been cleared to allow for use at SCA events AND the sheet music is arranged for the correct repeat structure for all the dances as they’re danced at Pennsic.
         2. Other sheet music resources exist, but respect of copyright is important, so please check the copyright before you run sheet music through a copier.
         3. Get the Pennsic Pile in PDF download here:  http://pennsicdance.aands.org/pennsic44/PennsicPile44.pdf
   3. Pictures of Performers for the Roster
      1. Mistress Dervila has a method to create a page on the Performing Arts blog that can serve as a directory that INCLUDES PICTURES! This has been a technological struggle for me. I’ve set up text only rosters for folks to submit their data on what they perform and who they are, but I have not been able to easily create a roster with pictures. Now that Dervila has a way to do it, we can now fill our roster with pictures!
      2. Please be prepared to send in pictures once we find the best place to put them before Dervila’s ready with the new directory.
   4. Performing Arts Groups
      1. I need help fleshing out the content pages for Performing Arts Groups on the blog. I need help gathering info on the following groups:
         1. Ladies Fair singing group
         2. Ponte Alto Singers
         3. PAGE
      2. If anyone’s willing to write up a blog post on any one of these groups, or any MORE groups you’re aware of – please let me know!!
   5. Guild Heraldry and Online Graphics help needed
      1. The Kingdom MOAS wants us to nail down some heraldry for the Guild. We also need some better graphics for the blog.
      2. Eoin Mac Edhbaird volunteered to help in this, and if there are other herald & graphics folks interested in helping, please pipe up! We may need a committee for this.

The next meeting of the Guild is TBD. It will be after Gulf Wars for sure!!

Thank you all for pitching in to the Atlantia Performing Arts Guild!

–Lady Sophia the Orange, Guildmistress and Kingdom MOAS Deputy for Performing Arts

By Lady Evelynn Merrymet

The Society for Creative Anachronism (SCA) dance community has been learning and teaching English dances for as long as there has been an SCA. That would be 50 years this coming spring. Most commonly taught are what is known as English Country Dances (ECD) which we take from the first edition of the Playford dance manuals first published in 1651. These were then ­traditional dances done by the gentry in their country homes. Stylistically, they are often for 2, 3 ,or 4 couples, never 1. We also have the 10 dances from the Inns of Court that were taught in the London law schools and known by all the nobility of England in the 16 couples, all doing the same thing. The 4 Inns of Court still stand and still teach, but only law these days, not dance. Check them out if you ever make it to London. The ancient trees alone are worth the side trip.

Then in 1995 someone in England was looking through some old ledger books from what is now the Gresley estates. Where they recorded how many sheep, how much grain, and the like that were harvested that year and they noticed there was something stuck into the ledger sheets. “What’s this?” It was dance notes written by the scribe who was learning to dance. Paper was expensive and so the scribe used the masters ledger sheets. Now we have student notes for 26 dances we never heard of before! Wow ­ cutting edge stuff for a historical society. One problem, however, was that with the normal language drift over so much time we don’t know what many of the words mean in terms of dance. What is a trace or a tret or a rak? So several people went to work on the text. The notes also included music for some of the dances so the music geeks went to work on that. Another problem was that the music did not always correspond to the dances. Two of those people live together with their son in Canada. She is a dance teacher. He is an accomplished period musician. Mistress Emma Dansmeyla and Master Martin Bildner worked on this project for 12 years and are nearly finished with the book and CD set that many of us are waiting for.

A few years into the project they started teaching the dances they had worked out. They released Ly Bens Distonys early on and the SCA dancers embraced it. Later on, with more experience working with the other dances, Emma and Martin would now interpret Ly Bens differently but it is too late ­ we already know it this way so that is what we do. They brought some of the Gresley dances to a Known World Dance and Music Symposium a few years back and I took the classes they offered. I was intrigued and learned as many as I could. Although they also supplied sheet music for the dances they taught, I do not have any live music at my local dance practice so I could not teach them. The next Pennsic and the next Known World Dance and Music symposium I followed Emma and Martin and begged them for recorded music. They were not ready with any of the music for publication but they burned me a copy of a practice CD they use for Emma to teach when Martin cannot come along. Here is a link to one of their handouts

http://rendance.gyges.org/content/seven_gresley_dances/KWDS_VIII_Notes.pdf

Armed with Emma’s magnificent notes and that CD, I started promoting Gresley dances in the Kingdom of Atlantia (SCA). I have been teaching 7 dances from the set for several years now at the University of Atlantia and at events and at Known World, and Pennsic if Emma is not going to be there.

Their book is mostly complete. I now have a copy for proofreading purposes. I hope to learn all the dances from the book and give them feedback as to the learnability of the notes for the proof reading before the final printing. My Lord, Master Stefan of Cambion, will do the spelling and grammar stuff I am not to be trusted with. I have now gotten through and taught the 8 dances Emma describes as easy and several of the moderate ones. Winter should be a good time to work on that. It is a very good thing we built a dance floor in the basement of our house, don’t you think?

I do not have the sources or the research Emma and Martin used. You will need to catch up with them if you have questions regarding the original text or the reconstruction process. I just teach Gresley. You can contact them at:

Emma Dansmeyla (Sarah Scroggie)  Sarah.Scroggie AT gmail DOT com

They are of course not the only folks doing this reconstruction.  Mistress Judith of Northunbria found Cait Webb and Chris Elmes in Scotland doing the same kind of work with predictably different results. They are both mostly period musicians and the music and dance steps they produced is more complex. They played and taught at the most recent Known World Music and Dance Symposium in Germany last April that Judith autocrated. I took the classes and enjoyed them immensely. They are delightful folks and truly fine musicians. Judith likes the complexity they bring to the Gresley. I, on the other hand, am in it for the joy of the dance, and the pleasure it give me to promote dance to the populace at large, and newbies in particular. That will be easier with Emma and Martin’s work so that is what I will be teaching.

Cait and Chris have published a manual and a CD with 5 or 6 Gresley dances in the mix of other period dances. They have some of the original wording, pdfs of music and downloadable recordings. They can be reached at  www.gaita.co.uk  or  Info@gaita.co.uk

One of my students, Wenllyan Goch, has found a CD with all 26  dances on it. The group is The York Waits. The CD is called Cherwell Thy Wyne, Dances of Fifteenth­century England from the Gresley manuscript. Wenllyan is trying to get a bulk rate to get more than the one copy of the CD. I will use it until I get an updated and more complete version of the Martin’s music.

I have one other lead. I was told at the last University that a group of Morris dancers under one Rose Moresk (if I have the spelling right) are working up the Gresley dances in somewhat different reconstruction.

When you search for Gresley Dance Manuscript you get 1,640,000 hits. I could spend weeks full time weeding those out for you and make this a better document. I would never catch up since new ones are added all the time. I want to teach dance and do my part of the proofreading.

As always, the historical dances we do are subject to interpretation. Different reconstructors, different teachers, different regions are bound to do them differently, as I am sure was true in period. That adds to the richness of the dance heritage and while it may put you off balance on the dance floor on occasion, we have all been there and no one will mind. Just listen to what the teacher is saying and try to do it their way so we don’t run into each other in the line and all will be well. By the way, it is a good idea to be sure you are all dancing the same version in a set, especially if you go out of your Kingdom.

The dances include 8 easy or very easy dances, 11 moderate, and 7 difficult dances. All of the dances are for 2 or 3 people. This will be very welcome to those of us teaching dance, since very often we find we do not have critical mass for our four couple dances. This will also make for many more dances we can teach at demos to random people from the crowd. The easy ones are really easy. Among the easy dances is New Year which would be boring unless you take it as a danced for drunkards and everybody pretends to be very drunk while they do it.  Many of these dances have interesting little quirks, once you get into the moderate and difficult dances. I like the funky hey in Armynn very much. Those moves may take a few tries to get, but they are fun and very worth the effort. I have taken to using some of the 1500 language for calling the dances. For example trett is enterpreted as a single. So trett, retrett, is a single forward and back. Trett, retrett is easier to call than single forward, single back and it feels good to use the original language.

I am delighted to be working with Emma and Martin’s book for many reasons but let me give you a few. They have included three tables of dances at the beginning of the book. One with the dances in the order they appeared in the manuscript. One that gives the dances in alphabetical order, and one for the musicians, giving the source of the music they are using either original from the manuscript or from other sources. They have given an introduction to the book and to each dance describing their process in reconstruction. Best of all is the instruction for each dance. These include, the original text, the musical section for each part of the dance, modern language for their reconstruction and diagrams with little people and arrows to show you what is going on at each step. I love the handouts this produces for teaching.

So, in conclusion. This is really fun to be working on totally new stuff in the dance community. I am having a good time learning and teaching it. I hope to get through my part of the proofreading this winter or at least make a grand attempt. Wish me luck.

In service to the dream,

Evelynne Merrymet

(Evelynn does not maintain an online presence, but she does teach dance at nearly every Atlantia University session, so you can catch up with her there if you’d like to continue the conversation with her about Dances from the Gresley Manuscript.  If you leave comments here, I’ll do my best to get those comments to her on your behalf – Sophia)

Here are all the Performing Arts activities in chronological order. Some locations DID change since we lost use of Vingulf Hall, so please watch for announcements, signs, and disturbances in the force to inform you of location changes once you get to site! Friday night Vingulf Hall activities moved to the Picnic Shelter “Madrassa” and Saturday night Vingulf Hall activities moved to the Bardic Center tent. See notes in red below.

FOR ALL PERFORMANCES AND CLASSES – BRING YOUR OWN CHAIR!!!

Bardic Madness Challenges have been posted!  Lady Scholastica challenges the bards and performers of Atlantia to the following Fyts of Madness:

• A Tale a Tale, My Kingdom for a Tale (Pass the Tale)
  • All those who wish to participate get up together and tell a tale from beginning to end. The challenge’s patron will ‘conduct’ by pointing to the person whose turn it is to continue the tale, and deciding when it is time to end the tale.
• Descriptionary
  • Sometimes words have hidden meanings and it will be up to our team to define their given word, one word at a time to the audience until the word is completely defined.
• Wisdom is Often Fleeting
  • Aesop a mere slave, is credited for presenting teaching stories with a touch of wisdom so for this challenge you would be wise to come with a prepared Aesop story to tell. Stories should be five minutes or less.
• Shakespeare on the Fly
  • No preparation, for you will be handed a piece by Shakespeare and must stand and perform on the fly after 60 seconds. Sing it, dramatize it …own it.

Rules of the Challenge:

1. This is a challenge and not a competition. If you are playing then you have already won.
2. Challenges are designed to encourage you to try your hand at something new, to stretch yourself, to enjoy, and to celebrate the creative spirit.
3. Follow as closely as you can to the instructions as possible.
4. In order to allow the largest number of people to participate, prepared entries should be limited to five minutes or less (that includes the introduction).

If you are a Baronial Champion for your Barony in the Performing Arts, and if you wish to compete in Saturday night’s Inter-baronial Bardic Champions Competition, please be sure to sign up with the MC, Lady Sophia the Orange NO LATER THAN 12:00noon on Saturday!  Please send email ahead of time to  dmoas-performance AT atlantia.sca.org OR leave an UNMISTAKABLE message at Windmasters Hill Camp.

DO NOT HESITATE TO ASK QUESTIONS!  Numerous folks are well versed in this whole program and ready to answer your questions! Please contact any or all of the following people to ask questions or advice on the best way to get the best bang for your buck per minute of fun at War of the Wings!

Lady Sophia the Orange, Whole Program and Commedia: dmoas-performance AT atlantia.sca.org

Lord Johann von Solothurn, Bardic Classes and Competitions: RoyalBard AT atlantia.sca.org

Vrouwe Machteld Cleine, Rabble Rousing: faerieeva AT hotmail.com

Lady Scholastica Joycors, Bardic Madness: totallystories AT gmail DOT com

Reynsa Kyferin, European dance band: meganfair.clarinet AT gmail DOT com

Lady Elizabeth de Northumberland, European Dance: mills_se AT yahoo.com

Mistress Azza: Middle Eastern Dance Hofla and Dance Band

Baroness Alianor of Sacred Stone, Bardic Smackdown War Point Competition:  https://sites.google.com/site/sscoronets/contact

The rule of the day at this event is to be as flexible, forgiving, and polite as possible to your fellow SCA volunteers. This event has had some rocky changes to juggle at the last minute, so please keep lines of communication open as we juggle and squeeze as much fun into these few days as possible!

Thanks for playing!

Lady Sophia the Orange

War of the Wings, Deputy Village Steward for Performing Arts

Kingdom of Atlantia, Minister of Arts and Sciences, Deputy for Performing Arts

Capocomico, i Firenzi

Fan of Anything That Comes To Life On Stage!

Have you ever seen performers having fun on stage and craved joining in? Well, now you can! And not just “throw them in and hope they float” Nononono….. We will actually *teach* you something before making you face the terrifying stares of an expectant audience! (WARNING: All shows at War of the Wings are BYOChair!  There will NOT be enough chairs for everyone, so BRING YOUR OWN CHAIR PLEASE!)  And don’t worry about the deadline to register for classes… just show up if you haven’t registered and we’ll make room for you! No class size limits on Performing Arts Classes!

Friday:

1) Who’s Line Doth It Be?   Improvisation Skills class and Show 1:00 – 3:00pm

Have you ever seen the TV show “Who’s Line Is It Anyway?” either the American version hosted by Drew Cary or the original on BBC? We’re going to run a mini-version of that show ourselves at WoW based on the version die hard performing arts geeks at Pennsic have been doing for many years.

But before that, a class will be taught in Improvisation Skills. You must take the class if you want to be in the show, but you can take the class and not perform in the show.  The class will run through six basic rules of improvisation that can help you in everyday conversation, living in persona at SCA events, better performance during SCA court schtick, and also performing improvised commedia dell’ arte. We will also learn the short form improv theater games that will serve as the structure of our Who’s Line Doth It Be Show.

Improvisation Skills Class runs from 1:00 – 2:00pm. Who’s Line Doth It Be show runs from 2:00 – 3:00pm.

2) European Dance Pick Up Band:  Rehearsal 12:00 – 3:00pm;  Performance 7:00 – 10:00pm (both Friday and Saturday)

Any and all musicians are welcome to join in a new kind of pick up band! To sign up, click here!

A lovely new professional music teacher and band director has joined the Barony of Nottinghill Coil a couple years ago and brings with her a passion for period music! Our new best friend,  milady Reynsa, will lead volunteer musicians through a rehearsal with Pennsic Pile sheet music from 12:00 noon to 3:00pm on Friday and Saturday to prep for playing for the balls on both Friday and Saturday nights starting at 7:00pm.  Click here for details including links to the sheet music, dance list, and recordings:   http://warofthewings.com/details/pick_up_band.html

3) Middle Eastern Dance:  Band Rehearsals Thursday – Saturday

Middle Eastern Dance Band will Rehearse on Thursday 2-3:00, Friday 3-4:00, and Saturday 2-3:00, then play for a Hofla dance party starting at 8:30pm Saturday night!

Three classes are also offered for learning middle eastern dance.

See the Dance page for details: http://warofthewings.com/details/dancing.html

Saturday:

1) European Dance: 10:00 – 11:00am

The ball on Friday night is a practice ball, so all the dances will be taught then, but more dances will be taught Saturday morning in this class (New Yere, Bel Fiore, Petite Vriens, and some bransles). The ball Saturday night will also have some teaching time.  For more details about learning and performing European dance, click here: http://warofthewings.com/details/dancing.html

2) Commedia dell’ Arte: Intro class and Iron Commedia show 12:00 noon – 5:00pm

Learn the basics of Commedia dell’ Arte, the Italian improvised comedy play style that was very popular throughout Europe in the 16^th century.  Intro to commedia class runs from 12:00 – 1:00pm.

Then whoever is ready for an intense creative thrill… we will run an Iron Commedia session from 1:00 to 4:00pm where we will write a commedia scenario based on who shows up and what characters people want to play. We will rehearse until 4:00, then we will put on our short play in the half hour before court as pre-court entertainment!  (Court starts at 5:00pm) Anyone who wants a part in the play gets one, but you have to have taken the Intro to Commedia class either that day or some other day to join in. Once we start writing the scenario at 1:00pm, the process takes off like a rocket!

3) Bardic Madness: Challenges and Performances  12:00 – 2:00pm

The Challenges put forth by Lady Scholastica Joycors, Kingdom Bard of 2014, are set forth as “Fyts of Madness” which will challenge bards to create material either ahead of time or in the moment.  Bards will then also have the opportunity to perform their material right there in the midst of madness!  Depending on how many participants show up, bards can exchange critique and improve on their works, discuss, challenge each other more, and let the madness lead them.

4) Bardic 101 & 102:  A class in all things Bardic 2:00 – 3:00pm

Lord Johann von Solothurn, the current Kingdom Bard, will help you get started in becoming a bard and/or help you take your bardic lifestyle to the next level based on who shows up to the class and what questions they bring.

5) Research for Performers:  A multi-purpose performers class 3:00 – 4:00pm

Lord Johann von Solothurn continues to spread the wisdom by offering resources for research for all kinds of performers.

6) Bards and Brewers Concert at the White Phoenix Inn – Starting at 9:00pm in Vingulf Hall

On Saturday evening, after you’ve had all this great instruction on performing all day Friday and Saturday, you can put it to good use if you signed up ahead of time to claim a 10 minute performing slot during the Saturday night concert!  Now, the Saturday night performances will begin with the Inter-Baronial Bardic Champions Competition starting at 9:00pm where those performers who have earned the honor of serving as their barony’s Champion in a performing art will compete for glory, honor, and spiffy prizes.  AFTER, the Champions have competed, the regular concert will commence with a lineup of performers who only had to sign up ahead of time.  Did you sign up ahead of time on the Google Form here?  If you miss signing up, you just move to the end of the line and a sign up sheet will be posted in Vingulf Hall so the organized concert can devolve into an all-night jam if performers show up who wish to share the space.

To sign up for a 10 minute performance slot in the Bards and Brewers Concert on Saturday night, click here!

The Kingdom’s Royal Brewer is leading his fellow brewers in gathering in the same space as the concert in Vingulf Hall on Saturday night starting at 9:00pm to share the fruits of their labor. So, no need to sign up, just bring your brewed creations to share!  Rumor has it that a special friend from the Barony of Windmasters’ Hill is also bringing a supply of Savory Toasted Cheese, so the evening will be full of brews, cheese, and song!

Stay tuned for two more blog posts covering the rest of the extensive Performing Arts Program at War of the Wings!  http://warofthewings.com/performing_arts.html 

Sincerely Yours,

Lady Sophia the Orange

War of the Wings, Deputy Village Steward for Performing Arts

Kingdom of Atlantia, Minister of Arts and Sciences, Deputy for Performing Arts

Capocomico, i Firenzi

Fan of Anything That Comes To Life On Stage!

It’s been 16 years since Atlantia recognized a Laurel in the art of European Dance, and we lost that dance leader to the Kingdom of the West many years ago.  While strong leadership has been demonstrated in the art of dance by members of the Atlantian Academy of Dance (http://dance.atlantia.sca.org/), the new Kingdom Deputy Ministers of A&S for Dance – North and South, and numerous dedicated dance practice leaders in local communities, the Order of the Laurel in Atlantia has had few internal resources to draw upon for dance. We were lucky to see Master Issac and Mistress Aidan, Laurels recognized for their expertise in 16^th century Italian dance reconstruction, move to our lands in the Barony of Nottinghill Coill from the far reaches of Northshield many years ago, but Atlantia has not recognized one of her own in the art of dance in a very long time… until now.

The arms of the soon to be Mistress Margherita Battistina

Our own Lady Margherita Battistina (aka: Margaret Roe) will be elevated to the Order of the Laurel at Pennsic in recognition of her excellent skill in the art of European Dance. Her vigil will take place across the street from the Dance Tent on Tuesday, August 4^th starting at 9:00pm.  (If you wish to bring food, please do not include citrus, corn, soy, milk, pineapple or alcohol.)   Her elevation ceremony will take place during a special session of Atlantia Royal Court at the Dance Tent starting at 9:00pm on Thursday, August 6.

Lady Margherita has been directing the European Dance program at Pennsic for the past three years.  She has also created countless balls, workshops, demos, classes, and practices throughout Atlantia where people have learned to dance since 2008.  Her skills range from direct personal teaching to original writing and publication based on her research. She has taught SCA members, Renaissance Faire actors, and the general public. Her scope covers Italian, English, and French dance and the clothes to go with it.

Dance is not her only skill. Lady Margherita has also taught costuming and made clothes for many fellow Atlantians.  The fruits of her labor can be seen in the wardrobes of numerous Atlantian royalty and nobility.

Lady Margherita’s service also benefits her local community.  She has served as Deputy Chatelaine of her home Shire of Spiaggia Levantina since 2012, and she has served as an officer for the Atlantia Academy of Dance since 2009.

As a community of SCAdians, we are blessed to have such a gem as Margherita Battistina to teach us the art of dance with passion and scholarship.  She is a resource that creates a well-rounded nature to our arts community, and her elevation to the Order of the Laurel is an occasion to celebrate!

Many thanks go to Master Solvar Hammerson for organizing her vigil. For last minute vigil logistics coordination, Margherita asks that you contact her directly at margaretiroe@gmail.com or on site at the Pennsic Dance Tent nearly 100% of the time.  Master Stephan of Cambion is also assisting coordination of snack food for her vigil (If you wish to bring food, please do not include citrus, corn, soy, milk, pineapple or alcohol) and can be reached via lanhamlaw@att.net.

YEA DANCING!!!

It’s finally ready!  Here it is!  The Kingdom of Atlantia finally has a blog for helping those of the populace who are interested in performing arts to keep up to date and collaborate!

Atlantians can subscribe to this blog via email or RSS to get announcements about performing arts happening in our fair kingdom.  If you are interested in being a Guest Blogger, please do send what you want to post to the administrator, Sophia the Orange, at dmoas-performance AT atlantia.sca.org and include any deadlines or events associated with the content.

Please be sure to see the Social Media Communities tab for the other many ways you can stay in touch online!

Do not hesitate to make a suggestion or ask for information by emailing Sophia at dmoas-performance AT atlantia.sca.org or leaving a comment on a blog post.  This blog will continually change and adjust to the needs of the ever changing performing community of Atlantia.  Let me know what you want to see here, and I’ll do my best to get it up here.

Thank you for your continued attention, and keep watching!

Sincerely yours,

Lady Sophia the Orange

Atlantia Kingdom Deputy Minister of Arts and Sciences for Performing Arts