Atlantia’s Twelfth Night event is again overflowing with amazing opportunities to enjoy the Performing Arts!

The Magnificent Lady Jeane Kilmeny has organized an embarrassment of riches for both performers looking to perform and audience looking to relax and be entertained.  If you have questions, please contact Lady Kilmeny via facebook by posting on the Atlantia Bards and Performers group at this link:  https://www.facebook.com/groups/BardsandPerformers/  If you wish to post a comment on this blog post, your question will be forwarded to Kilmeny.

The reveling begins this Friday night!

  • Friday night bardic circle: starting 8:00pm in the Hunt Room
  • Shakespeare Performance of selected scenes from Twelfth Night by i Firenzi: 11:30-12:30
  • Commedia Performance of “The Mystery of the Doge’s Swan” by i Firenzi at 4:15pm
  • Dance Band Rehearsal:
11:15am (after morning court) to 1:00pm, in the James Madison room
Dance band performing for dance classes, possibly 2:30-4:00pm.
Ball dance music list with links to the sheet music and recordings of Mistress Azza playing the tunes is available at this Google doc:
  • Dance Classes:
11:00am – 4:00pm in the dance area of the main ballroom hosted by Baron Stefan of Cambion and Baroness Evelynn Merrymet
At 3:00 in the dance room the Atlantian Academie of Dance will be filming the following dances from the ball music:
  1. Gathering Peascods
  2. Gracca Amoroso
  3. New Yer
  4. Rawty
  5. Grene Gynger
It would be awesome to have any musicians that could spare some time so that they can have a wonderful recording to help teach these dances! See you all there!
[[The above dance list, and info on dances being taped, was provided by Lady Rhiannon of Raven’s Cove, the event Dance Mistress.]]
  • Royal Bard Competition: 
Round 1: 11:30am at the Amphitheater (aka: auditorium)
Round 2: 2:00pm, at the Amphitheater (aka: auditorium)
Round 3: during Feast
Guidelines for the Royal Bard competition are posted on the event web site under “Competitions” and also here:
“The competition will be comprised of three rounds.
The guidelines for the competition are as follows:The first and second round should focus on performance of pieces in different modes: if a story is performed in the first round, the bard should perform a song, instrumental piece, poem, etc. for the second round. One of the pieces performed in the first two rounds must be period, documentation should be provided. Extra consideration shall be given to bards who perform original compositions in addition to the period piece.Those bards who are selected for the final round shall perform for Their Majesties and the populace during feast. The only rule for this round is for the bard to perform to their strengths.Questions concerning the competition, appropriate pieces, etc., may be directed to Lady Harper An Cu royalbard [AT] atlantia.sca.org”
  • Dancing, Main Hall, after Feast (hopefully starting ~7:00pm)
Baron Stefan de Cambion, our Dance Master, will be leading dance after feast. Music will be provided by the Atlantian Dance Band (led by Lady Rhiannon of Raven’s Cove).
  • An evening bardic circle will be held on Saturday night in the Amphitheatre, hosted by Mistress Dervila, starting at 8:00pm
(We are not allowed to bring outside food or drink for hospitality into this room. However, there will be food and drink available for sale in that area until 11pm.)
Just in case, here is the event’s web site if you need more general event info: http://www.twelfthnight.atlantia.sca.org/
Happy Twelfth Night to All!
Sincerely yours,
Baroness Sophia the Orange
Guildmistress, Atlantia Performing Arts Guild

Atlantia Twelfth Night event report for Performing Arts

The Performing Arts community achieved new heights at this year’s Twelfth Night event in the Barony of Sacred Stone! Peruse the pictures below and watch out for these gentles in the coming months if you want to come join in the fun!
1) European Dance! Sacred Stone’s own Lady Elizabeth of Northumberland led the dancing with excellent teamwork and support from Lady Nicolosa d’ Isenfir, our Royal Player in Dance. These two ladies brought dance education and graceful leadership to the event such that over 50 people got to enjoy the noble art of dance at the evening ball.

 

2) The dancing was supported by skillful and joyful efforts of Mistress Azza and the pick-up dance band under her direction! Ten instrumentalists followed Azza’s fearless direction and organization to produce high energy, live dance music deep into the night. Mistress Azza also serves as a Royal Player and will be producing live pickup bands at more events in the future. Watch for her at Ymir!

3) Our Royal Player in Theater, Lady Meriorie Matheson, produced an enlightening competition for actors to present their favorite Shakespeare pieces! Nine actors presented a wide variety of scenes from The Bard. The winner of the competition was a pair of amazing actors, Lady Machteld Cleine and an SCA newcomer, Cody, portraying Benedict and Beatrice from Much Ado About Nothing. See the video clip of their scene here:  https://www.facebook.com/Lara.Coutinho.Orange/videos/1877274525623126/?l=6072083277919904046

It’s one of the most excellent pieces of theater I’ve seen at an SCA event in years! These still pics are of some of the other excellent monologues.

  

 

    

4) One of Sacred Stone’s multi-talented performers, Lord Akiyama Kazuhiko, took on the great challenge of producing the Twelfth Night Murder Mystery play… and it was a hoot! The cast was talented and engaging as they kept us laughing and guessing at the causes of sudden death all day.

 

5) The Royal Bard competition proceeded per tradition at Twelfth Night with a long list of talented participants. Royal Bards for 2016, Lord Gideon ap Stephan and Master Ruaidhri an Cu, presented three brilliant performers to Their Majesties for the final competition during feast that night. Despite the most extremely challenging conditions of noise and interruptions in the feast hall, all three competitors, Lord Hakon Erfikvaethiskald, Harper an Cu, and Lord Richard Wyn, proved worthy of the position. The young lady Harper An Cu finished the evening with the title of Royal Bard!

6) The Rotunda, the circular area between the staircase and hall of art, hosted a non-stop stream of performers bringing music to the people throughout the day. Performers in the Rotunda included: Lord Johann von Solothurn, Cornelia Caeciliana, Baroness Margaret Cochrane, Baroness Morgan Wolfsinger, and the amazingly talented instrumental group Lillies Among Thorns!

7) The lunchtime tavern also brought some musical thrills when “Painted Wheel” band took the stage and kept the lunch patrons entertained!

8) Laughter brought the event to new heights with i Firenzi’s performance of Italian, 16th Century, improvised comic Commedia dell’ Arte in the afternoon’s play “Arlecchino of La Mancha!” The premier of this play included many new commedia actors enjoying their first performance. We were blessed by the presence and service of a silent herald who interpreted the whole improvised show into sign language! A special moment was also brought to us when the final scene was interrupted (with permission of the director) by Their Excellencies of Windmasters’ Hill bringing an award to one of our actors in the name of TRMs. Lord Jaume de Monco was honored with an Award of the Coral Branch for his many artistic talents including acting, stage magic, bardic performance, and brewing. See the video of the whole play and Jaume’s honoring here:  https://youtu.be/MKedlRJ-VwQ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Twelfth Night again brought too much fun to cram into one day! Many thanks to the event’s Autocrat, Baroness Caitlin Macdonoughue for her tireless efforts at organizing and providing event space for the Performing Arts Community to enjoy their arts!

Performing Arts Schedule for Twelfth Night is here!

The holiday season brings a joyous occasion for our kingdom to gather in friendship and celebration of our many blessings! Many of us will enjoy the kingdom’s Twelfth Night event on January 14th, 2017 in Greensboro, NC: http://www.twelfthnight.atlantia.sca.org/

Performers and those who enjoy being an audience will revel in an embarrassment of riches at Twelfth Night! See the schedule of Performing Arts Activities below, and don’t hesitate to contact the Performing Arts Coordinator, Lady Sophia the Orange via orangesophie AT gmail DOT com for more information.

  • 10:00am
    • Dance class begins in the Grand Salon 2 (Performing Arts area upstairs middle section of Ballroom)
Our Twelfth Night Dance Leader is Lady Elizabeth of Northumberland with support from our Royal Player in DanceLady Nicolosa d’Isenfir. They will be able to teach you many dances, likely even if you have one to request that is not previously published on the evening’s dance list.
During morning court, attendees will witness the beginning act of the Twelfth Night Murder Mystery.
  • 12:00noon
    • Royal Bard competition Round 1 begins downstairs in the el Salon de Baile (Ballroom-the end of the hall with head table) run by Master Ruaidhri an Cu and Lord Gideon ap Stephan, Royal Bards of 2016.
Royal Bard’s announcement text:
“My Lords and Ladies, Most Worthy Peers, and dearest cousins, Once more the time has come to select those who will serve as Royal Bards for Their Majesties and Their successors. At the celebration of Twelfth Night a competition will be held and Lord Gideon, the Bard of the South, and I encourage all bards to come and compete. The competition will be comprised of three rounds.
In the first and second round competitors should perform pieces in different modes. For example, if a story is performed in the first round, the bard should perform a song, instrumental piece, poem, or some-such for the second round. One of the pieces performed in the first two rounds must be period, documentation should be provided. Please limit pieces to five minutes. Extra consideration shall be given to bards who perform original compositions in addition to the period piece.Those bards who are selected for the final round shall perform for Their Majesties and the populace during feast. Pieces should be limited to eight minutes. Should you have any questions, concerning the competition, appropriate pieces, etc., please feel free to contact me.
Your servant, if you would have me,
Olaugh Ruaidhri an Cu (Bard of the North) Email: ruaidhriancu@gmail.com Phone: (301)570-9434 Facebook: Ruaidhri an Cu”
Mini-Concerts run from end of morning court (~12:30pm) until the beginning of afternoon court (5:00pm).
  • 1:00pm
    • Act 2 of the Murder Mystery begins in the Grand Salon 2 (Performing Arts area upstairs middle section of Ballroom)
  • 2:00pm
    • Shakespearean Recitation Competition begins in la Rotanda. This competition is brought to you by our Royal Player in Theater, Lady Meriorie Matheson. Sign up here: https://docs.google.com/spreadsheets/d/1-I8MzWumXriZnp7mSwj9W0XNciqinEEWHKg2fR1ortA/edit?usp=sharing  SIGN UP AT THIS LINK! THIS IS WHERE YOU SIGN UP FOR PERFORMANCE SLOTS!
      • Description of Shakespeare Competition: Friends, Atlantians, countrymen, lend me your ears! As Twelfth night is a time of frolics and festivities, we must partake in one of the most beloved entertainments of the middle ages – theater. I challenge Atlantia to bring me your best performances of a monologue from any of Shakespeare’s contemporaries, or the Bard himself. A prize for the best performance! And as Tudor theater was memorized quickly for more performances, extra prizes for anyone who’s off-book! So everyone has a chance to participate, try to keep monologues around 5 minutes in length.
    • Dance Class #2 begins in the Grand Salon 2 (Performing Arts area upstairs middle section of Ballroom)
    • Dance Band Rehearsal begins downstairs in the el Salon de Baile (Ballroom-the end of the hall with head table) The Twelfth Night Dance Band is a pick up band brought together for one day under the fearless and skilled direction of our Royal Player in Music, Mistress Azza. Any instrumentalist is welcome to join in the band.
Here is the link for the google doc with the play list and links to downloadable music: https://docs.google.com/spreadsheets/d/1YeM3VdOfQ1qvh-aR8lzYk4KwrJk8j_w2-y6OJF8Fryo/edit#gid=0
  • 2:30pm
    • Act 3 of the Murder Mystery begins in the Tavern
  •  3:00pm
    • Royal Bard competition Round 2 begins in Grand Salon 2 (Performing Arts area upstairs middle section of Ballroom)
    • At 3:00pm in the Throne Section of the Ballroom, there will be a “Garb Runway Challenge” hosted by the Clothiers Guild. The organizer of the event has asked for musicians to play some background music while the entrants proceed down the runway. Musicians can contact Lord Johann von Solothurn for more information. If you don’t know how to catch Johann, please direct questions to Sophia the Orange.
  • 4:00pm
    • Commedia dell’arte performance by i Firenzi of “Arlecchino of La Mancha” in the Sala del trono (throne room). Set up your seats early before court to hear the true story of how Don Quixote really went mad back in La Mancha! If you don’t know what Commedia dell’ Arte is yet, start at the troupe’s web page: http://ifirenzi.com 
  • 5:00pm
    • Their Atlantian Majesties’ Evening Court begins in the Sala del Trono (throne room)
  • 8:00pm
    • The La Danza de Oro (the Dance of Gold) begins in the upstairs Grand Salon 3

This Saturday, December 3, 2016 at Unevent, anyone who wants to participate remotely in the Performing Arts Guild meeting at 4:30 can do so via the Zoom.us conference call now set up. You can log into a Zoom.us conference call to participate in this meeting remotely! You can log in from your computer and use your web-cam to share your face, or not if you choose, AND you can also call in with a regular phone to enjoy audio-only participation!
Please see the log in info below and let Lara Coutinho/Sophia the Orange know if you have any tech problems!

Agenda will include and is not limited to the following topics (Just let Sophia know if you want to add topics to the agenda!):
— Sharing files and resources via the Guild’s Google Drive
— Update on the Royal Players program
— Administrative separation of the Performing Arts Guild from the Kingdom MOAS Office
— Royal Bard competition at 12th Night – January 14, 2017
— Winter University Performing Arts tracks getting organized (deadline is December 19th!)
— Kingdom Arts and Sciences Festival (March 4) Performing Arts program – lots of performing opportunities!

— Other performing opportunities at events: Ymir, Gulf Wars, Gemutlichplatz

To add your own topics to this agenda, you can add a comment to this blog post or email orangesophie AT gmail.
Performing Arts Guild of Atlantia UNEVENT meeting 3 DEC 16 Zoom.us log in info below
Time: Dec 3, 2016 4:30 PM (GMT-5:00) Eastern Time (US and Canada)
Join from PC, Mac, Linux, iOS or Android: https://zoom.us/j/253621368
Or iPhone one-tap (US Toll): +14086380968,253621368# or +16465588656,253621368#
Or Telephone:
Dial: +1 408 638 0968 (US Toll) or +1 646 558 8656 (US Toll)
Meeting ID: 253 621 368

Unevent 2016 Schedule

Unevent 2016 Schedule

The competition to select the next Kingdom Bard will take place at the Kingdom Twelfth Night event on January 9, 2016. The letter below was published by our current Kingdom Bard, the Magnificent Lord Johann von Solothurn. Make note that anyone wishing to compete for the position of Kingdom Bard must submit a letter of intent to Lord Johann, and his deadline was published as December 18th.  If you are considering competing, have not yet submitted a letter of intent, and would like to have more time to consider taking on this significant position, please email Lord Johann to express your concern and he might extend the deadline.  (Keeping the bar as high as he and Lady Scholastica have raised it is a task worthy of some other magnificent performers in our Kingdom, and worth taking serious time to consider.)

Please read and make note of Lord Johann’s email address and directions below, and Bona Fortuna to any performers ready to step up and compete for this position!

Lady Sophia the Orange, Kingdom MOAS Deputy for Performing Arts

Letter text from Lord Johann von Solothurn:

Greetings!  I am Johann von Solothurn, currently serving as Royal Bard of fair Atlantia.  I wish you all a joyous and music-filled holiday season!  As I near the end of my tenure as Royal Bard, I will be attending Yule Toy Tourney and Twelfth Night, and hope to see many of you around bardic circles and entering the bardic competitions at those events.
 At Yule Toy Tourney, I will be hosting a bardic bear pit competition.  The cost of entry in the competition is one toy per entrant.  The toys collected at the event will be donated to Country Santa, a Program that collects toys for needy children across upstate South Carolina.  Bring your bardic weapons (songs, stories, poems) and prepare to have fun while you do battle with your fellow bards!  Bonus points will be awarded for period pieces and original compositions.  Time permitting, there will be three rounds of head to head bardic combat.  Don’t forget your bard book!  The bard with the most points (wins) will win the day – and the prize!
At Twelfth Night, a new Royal Bard will be chosen from among Atlantia’s many talented and skilled bards.  I hope many of you will choose to compete for the mantle of Royal Bard.
Their Royal Majesties are now accepting letters of intent from those who wish to enter the Royal Bard competition.  If you would accept the challenge and compete for the title of Royal Bard, please send your letter of intent to me at  RoyalBard@atlantia.sca.org  by December 18.
Per the Atlantian Great Book of Laws, the Royal Bard is chosen for excellence in the individual performance of any of the following fields:  singing, instrumental music, poetic rendition, or storytelling.  The Royal Bard is encouraged to be proficient in at least two of these fields.
Kingdom Royal Notables are expected to encourage the disciplines for which they are selected.  Suggested goals and duties for the Royal Bard include:  1) services to the Crown as Their bard, 2) sponsoring at least two bardic competitions during their tenure, including the Royal Bard competition to select a successor, 3) work with Branch Officers to encourage the growth of the bardic arts, 4) teaching in such venues as are available and reasonable.  The tenure of the Royal Bard is one year.
The Royal Bard competition will consist of a minimum of two rounds.  For the first round, bring a period piece (song, story, instrumental, or poem) with documentation.  For the second round, bring an original composition (SCA-themed or Period-themed) with documentation.  At Her Majesty’s whim, a third round may be required, and will be announced during the competition.
It has been an honor to serve the Kingdom as Royal Bard for the past year.  The position of Royal Bard has been a more gratifying role than I ever imagined it could be.  I cherish the new friends and memories made while promoting the bardic arts across Atlantia, and I look forward to seeing what our new Royal Bard will bring to the position.  Please feel free to contact me with any questions you  have concerning the position of Royal Bard.  I look forward to hearing my fellow bards compete at Twelfth Night!
Yours in Song and Service,
Lord Johann von Solothurn
Royal Bard of Atlantia